Benchmark DAC3 HGC Digital to Analog Audio Converter With Remote

$2,399.00

Description

Benchmark DAC3 HGC Digital to Analog Audio Converter With Remote – Benchmark

A NEW REFERENCE – GOING BEYOND THE LEGENDARY DAC1 AND DAC2

The DAC3 is Benchmark’s newest 2-channel D/A converter featuring the new ESS Technologies ES9028PRO converter chip. The DAC3 converter has lower THD and THD+N noise than Benchmark’s DAC2 converter.

Benchmark’s DAC1 and DAC2 D/A converter families have been the reference to which other converters have been compared. It is rare to find a converter review that does not draw comparisons to the DAC1 or the DAC2. Benchmark converters are in daily use at many of the world’s finest recording studios and mastering rooms. Benchmark converters are also enjoyed by thousands of audiophiles. Benchmark has raised the bar again … the DAC3 defines a new reference.

REFERENCE PERFORMANCE

The DAC3 delivers outstanding musical detail and precise stereo imaging. It employs an advanced high-headroom digital filter design, and a high-sample-rate Asynchronous USB Audio interface. All inputs are fully isolated from interface jitter by Benchmark’s new UltraLock3â„¢ jitter attenuation system.

Internal digital processing and conversion is 32-bits, and this processing includes 3.5 dB of headroom above 0 dBFS. This headroom prevents the DSP overloads that commonly occur in other D/A converters.

Four balanced 32-bit D/A converters are summed together to create each balanced analog output. This 4:1 summation provides a 6 dB noise reduction, and gives the DAC3 industry-leading performance.

DAC3 VS. DAC2

The DAC3 builds upon Benchmark’s highly successful DAC2 product family. The DAC3 maintains the familiar DAC2 form factor and feature set, but adds the higher performance available from the new ES9028PRO D/A converter. The DAC3 offers the following improvements over the DAC2:

  • Active 2nd Harmonic Compensation
  • Active 3rd Harmonic Compensation
  • Lower THD+N
  • Lower passband ripple
  • Improved frequency response
  • Faster PLL lock times
  • Faster switching between input signals

DAC3 VS. DAC1

The DAC3 and DAC2 added these features that were not found on the DAC1:

  • Asynchronous 192kHz USB Audio 2.0
  • 32-bit D/A conversion system
  • Word Length Display
  • Sample Rate Display
  • Polarity Control
  • Direct DSD D/A Conversion
  • -20 dB DIM
  • Bi-Directional 12V Trigger
  • Power Switch with Auto-On Function
  • Home Theater Bypass
  • Digital Pass-Through
  • High-Headroom DSP
  • Dual-Domain Hybrid Gain Control
  • Additional I/O

NATIVE DSD CONVERSION

All digital inputs on the DAC3 support native PCM or DSD conversion. From any input, DSD is transported with bit accuracy over DoP 1.1. DSD and PCM are both natively converted to analog. There are no DSD to PCM or PCM to DSD conversions to compromise the quality of the music. The DAC3 conversion system seamlessly switches between native PCM and native DSD conversion. DSD over DoP 1.1 is supported by many media players, and DSD downloads are now available from several sources.

DIRECT CONNECTIVITY TO POWER AMPLIFIERS

Benchmark DAC1, DAC2, and DAC3 converters are designed to directly drive power amplifiers and speakers. Benchmark converters feature adjustable low-impedance passive attenuators at the XLR outputs that can be used to optimize the interface to the power amplifier (or powered monitor). This unique Benchmark feature optimizes the gain staging between the DAC and the power amplifier. Proper gain staging cannot be overemphasised. When audio stages are properly matched, each component in the audio chain is able to operate at its optimum signal level, and the system performance is significantly improved

SONICALLY-NEUTRAL STUDIO MONITORING

All Benchmark converters are designed for maximum transparency. This transparency is absolutely essential in the studio monitoring chain. For this reason, DAC3 converters are ideal for critical reference-quality professional systems. Unlike many competing products, the DAC3 is not designed to add “euphonic” coloration to the audio. Instead it is designed to be as uncolored and natural as possible.

IMPORTANT FEATURES:

  • Sample Rate Display
  • Word Length Display
  • 5 Digital Inputs
  • 2 Stereo Analog Inputs (2 RCA)
  • 3 Stereo Analog Outputs (2 RCA, 1 XLR)
  • Digital Pass Through
  • Native DSD Conversion
  • Polarity Switch
  • Asynchronous USB 2.0
  • Driverless Asynchronous USB 1.1
  • Home Theater Bypass
  • Bi-Directional 12 Volt Trigger
  • Power Switch
  • Low Power Consumption
  • ES9028PRO Converter

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Audiolab Stereo & Video Center

Additional information
Weight 3 lbs
Dimensions 14.5 × 11.25 × 3.25 in
Line/Type

DAC

Color Choice

Black

,

Silver

Fs

44.1 to 96 kHz, 20 to 20 kHz BW, 1 kHz test tone, 0 dBFS = +24 dBu (unless noted)

SNR – A-Weighted

0 dBFS = +27 dBu: 128 dB

SNR – Unweighted

0 dBFS = +27 dBu: 126 dB

THD+N, 1 kHz at 0 dBFS

-113 dBFS, -113 dB, 0.00022%

THD+N, 1 kHz at -1 dBFS

-114 dBFS, -113 dB, 0.00022%

THD+N, 1 kHz at –3 dBFS

-119 dBFS, -116 dB, 0.00016%

THD+N, 20 to 20 kHz test tone at –3 dBFS

-113 dBFS, -110 dB, 0.00032%

Frequency Response at Fs=192 kHz

+0 dB, -0.015 dB (20 to 20 kHz), -0.015 dB at 10 Hz, -0.005 dB at 20 kHz, -0.031 dB at 40 kHz, -0.15 dB at 80 kHz

Frequency Response at Fs=48 kHz

+0 dB, -0.015 dB (20 to 20 kHz), -0.015 dB at 10 Hz, -0.005 dB at 20 kHz

Crosstalk

-137 dB at 20 Hz, -130 dB at 1 kHz, -116 dB at 20 kHz

Maximum Amplitude of Jitter Induced Sidebands (10 kHz 0 dBFS test tone, 12.75 UI sinusoidal jitter at 1 kHz)

< -144 dB

Maximum Amplitude of Spurious Tones with 0 dBFS test signal

< -138 dB

Maximum Amplitude of Idle Tones

< -147 dB

Inter-channel Differential Phase (Stereo Pair – any sample rate)

+/- 0.25 degrees at 20 kHz

Maximum Lock Time after Fs change

6 ms

Soft Mute Ramp Up/Down Time

9.6 ms

Mute on Receive/Lock Error

Yes

50/15 us De-Emphasis Enable

Automatic in Consumer Mode

De-Emphasis Method

Digital IIR

De-Emphasis Supported at

Fs = 32, 44.1, 48 kHz

Delay – Digital Input to Analog Output (function of sample rate)

1.36 ms at 44.1 kHz, 1.27 ms at 48 kHz, 0.90 ms at 88.2 kHz, 0.82 ms at 96 kHz, 0.51 ms at 176.4 kHz, 0.47 ms at 192 kHz

Number of Digital Inputs (switch selected)

5 (1 USB, 2 Optical, 2 Coaxial)

Number of Channels

2

Input Sample Frequency Range

28 to 210 kHz (Coaxial Inputs), 28 to 96 kHz (Optical Inputs), 44.1, 48, 88.2, 96, 176.4, 192 kHz (USB Input)

Maximum Input Word Length

24 bits

Digital Input Impedance

75 Ohms (Coaxial Inputs)

DC Blocking Capacitors on Digital Inputs

Yes (Coaxial Inputs)

Transient and Over-Voltage Protection on Digital Inputs

Yes (Coaxial Inputs)

Minimum Digital Input Level

250 mVpp (Coaxial Inputs)

Jitter Tolerance (With no Measurable Change in Performance)

>12.75 UI sine, 100 Hz to 3 kHz, >1.5 UI sine at 20 kHz, >1.5 UI sine at 40 kHz, >1.5 UI sine at 80 kHz, >1.5 UI sine at 90 kHz, >0.25 UI sine above 160 kHz

Jitter Attenuation Method

Benchmark UltraLock3â„¢ – all inputs

Number of Balanced Analog Outputs

2

Factory Set Bypass Level (at 0 dBFS)

+24 dBu (Attenuator = 0 dB)

Output Level Range (at 0 dBFS) In ‘Variable’ Mode

Off to +27.5 dBu (Attenuator off), Off to +17.5 dBu (Attenuator = 10 dB), Off to +7.5 dBu (Attenuator = 20 dB

Output Level Variation with Sample Rate (44.1 kHz vs. 96 kHz)

< +/- 0.006 dB

Number of Unbalanced Analog Outputs

4

Output Connector

RCA

Output Impedance

30 Ohms

Analog Output Clip Point

+13.5 dBu (3.7 Vrms)

Factory Set HoTheater Bypass Output Level (at 0 dBFS)

+8.2 dBu (2 Vrms)

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